Wednesday, May 23, 2012

MOUSSE OF SOLE WITH SAUCE DUGLÉRÉ



Dishes like this have all but disappeared from the French restaurant scene, and it’s a damned shame.  To a home cook it may at first look challenging, but with a food processor it’s really very easy.  It’s also persuasive proof that the classic cuisine française should not be overshadowed by innovation, weirdness, and dazzle.  All of those, now common in contemporary restaurant cooking, have their place; but classicism reminds us that elegance is a virtue worth preserving, and that the evolution of traditional food has strongly selected for deliciousness.

The mousse purifies the flavor of the fish; its airy lightness is a joy on the tongue; and the dugléré is one of the best-tasting things in the world.

This recipe makes six to eight main-course servings.  It’s very rich, so the servings should be small.  The dish also makes a fine first course.

For the mousse:

1¼ lb. filet of sole
2 eggs
salt, pepper, cayenne, freshly grated nutmeg
1½ cups cream

Cut the fish into one- or two-inch pieces.  In a food processor blend the fish and the seasonings to a coarse purée.  Add the cream in a slow stream through the top.  It’s important not to over-process the mixture.

Butter a four- or five-cup ring mold and pour in the mousse.  Or make individual servings in ramekins.  Cover with the mousse with buttered wax paper.  Set the mold or ramekins in a heatproof container and add water to a depth of half an inch or so.  Bring the water to a boil on the stove, then bake until set.  For the ring mold, that will be 35 to 45 minutes; for the ramekins, check at 25.  Let stand for five to ten minutes.

For the sauce:

1.5 lb tomatoes, peeled, seeded, and chopped; canned tomatoes are fine
2 tbsp butter
2 tbsp minced shallots
2 tbsp minced onion
1 tbsp flour
¼ cup white wine
¼ cup fish stock—this is important, don’t leave it out
1 cup cream

Cook the shallots and onions in the butter, gently, till translucent.  Add the flour and cook briefly.  Add the tomatoes and cook about fifteen minutes—until medium-thick.  Add the wine and the fish stock and cook for ten more minutes.  You may want to strain the sauce at this point, especially if there are tomato seeds in it.  Add the cream and bring to a boil.  Season to taste.

Unmold the mousse and nap with the amazingly bright-pink sauce.  Craig sprinkles on chopped parsley, but you may find that that detracts from the beauty of the dish.

Monday, May 21, 2012

THOMAS KELLER AND THE MORAL RESPONSIBILITY OF CHEFS

Quoted in the New York Times of May 15, 2012: “With the relatively small number of people I feed, is it really my responsibility to worry about carbon footprint?” Mr. Keller asked. “The world’s governments should be worrying about carbon footprint.” 

For shame!  One of the most talented chefs alive, and as such a person with great influence--Keller really ought to understand that chefs and restaurateurs can lead their customers, and indeed the citizenry at large, toward a consciousness of sustainable farming and fishing.  Many other chefs and restaurateurs are already doing just that, and it can be very effective.  It's not just a matter of "carbon footprint."  There's a vast array of moral issues that arise from our food system--and who better to address them than a great chef?  I do hope Thomas Keller will reconsider his foreswearing of moral responsibility.  He's too intelligent not to understand what a force for good his leadership could be.


Keller might start by considering how well our government is doing in its "worrying about carbon footprint."  The United States' failures to act meaningfully on the issue are a disgrace, and our political leaders won't start moving in the right direction until there is sufficient pressure from the public.

Tuesday, May 15, 2012

THE MAN WHO CHANGED THE WAY WE EAT: TRAVELS AND PLEASURES

So much great stuff happening for my new book.  Wonderful pub party in New York.  Amazing coverage in the New York Times on the very day of publication: http://www.nytimes.com/2012/05/09/dining/craig-claiborne-set-the-standard-for-restaurant-reviews.html?pagewanted=all
--Not only the big piece by Pete Wells but additional ones by Jacques Pépin and Bryan Miller, plus two memorable pieces by Craig himself.

And now I'm in the plush comfort of Southern hospitality--readings, radio, TV, friends old and new.  Best of all has been a party given for me by Marion and Claiborne Barnwell in Jackson, Mississippi.  Claiborne Barnwell is Craig's nephew, and he and his wife brought together a splendid crowd of fascinating people.  

Mississippi is an amazing place: Lemuria in Jackson and Turnrow Books in Greenwood are two of the finest bookstores I've ever seen, both run by dedicated lovers of good writing.  Tomorrow I'll be reading at another of the state's extraordinary literary crossroads, Square Books in Oxford--cheek by jowl with Faulkner's house and Ole Miss.  It was John T. Edge of the latter, head of its Center for the Study of Southern Culture, who gave me the push I needed to get going on The Man Who Changed the Way We Eat, back in 2009.  And it was John T.'s grad student, Georgeanna Milam Chapman, whose master's thesis on Claiborne saved me many months of research; Georgeanna's generosity in sharing it with me warms my heart every time I think about it.


And oh, Memphis barbecue!  Without question the best in the world.  Leonard's my hangout since childhood, iconic, still the best of the best.  Central Barbecue new to me, with a uniquely powerful sauce and delightful staff.  Today will be lunch at the Barbecue Shop, another temple of barbecue greatness.

Wednesday, April 25, 2012

STEAK AU POIVRE VERT À LA CRÈME


Craig Claiborne did not give one tiny damn about where his beef came came from.  He didn’t care whether the cow had a happy life or a cruel death.  He didn’t have the slightest idea that the creature that was to provide his prime beef spent its last weeks confined to a narrow pen, barely able to move, and gorging on corn that made it literally sick.  He knew nothing of the foul waste that flowed from those feedlots into nearby streams.  He had no notion of the disastrous effects that the highly industrialized and corporate American corn and beef markets had on small farmers in other countries.

When Craig published his and Pierre Franey’s recipe for steak au poivre à la crème in the Craig Claiborne Journal of February 15, 1974, Michael Pollan had just turned nineteen years old and was a student at Bennington College in Vermont.  He didn’t know much, if anything, about beef either, yet.

Craig had been dead for six years when Pollan published The Omnivore’s Dilemma in 2006, and the well-informed American beef eater’s life would never be the same again.  The dilemma is still very much with us.  There are a number of problems in beef production, but the biggest by far is “finishing”—that is, fattening—cows on corn.

(That fat is the “marbling” that is so highly prized in prime meat.  It is also quite similar to the stuff that was clogging Craig Claiborne’s arterial plumbing so thoroughly that he required quadruple coronary bypass surgery in 1993, complications from which pretty much ruined the last seven years of his life.)

Alice Waters, as you might expect, a personal friend of Michael Pollan’s, was among the first widely known restaurateurs to decide to serve only grass-fed, organic beef.  She hired a consultant to travel first nearby and then ever farther from Berkeley in quest of grass-fed beef that wasn’t tough as leather and tasted good.  I took part in a beef tasting one afternoon at Chez Panisse, judging the best that Alice’s forager had found.  It ranged from mediocre down.  I had dinner recently at Chez Panisse and was served a tournedos of grass-fed beef—from the filet, the tenderest cut on the animal—and it was...mighty chewy.  And it didn’t really taste so good either.

Yet of course it’s possible!  Consider the American pronghorn, more commonly known as the antelope.  This magnificent animal can sprint to sixty miles per hour and cruise at forty-five.  As you might imagine, there’s very little fat on an antelope.  But the meat is superb—the tenderloin silkily tender.  Other grass-fed grazers, including elk, mule deer, and bison, all manage to produce delicious, more or less tender meat, at least in some cuts.  It’s hard to say what accounts for that, but it may have something to do with the kind of lives they lead—fresh air, clean water, natural food, low stress, quick death.

Tom and Patty Agnew, in Sweet Grass County, Montana, raise magnificent grass-fed cattle.  They attribute the tenderness and deep flavor of their beef to a combination of factors that takes real dedication to achieve: generations of attentive breeding for meat quality; the fact that the animals are “handled quietly and extremely humanely”—finishing them on rich alfalfa hay; and dry-aging the carcasses for three weeks (an expensive process, because the meat loses a good deal of moisture as it gains greatly in flavor).

Contrary to widespread opinion, careful freezing does no harm to good beef, and you can buy frozen Agnew beef at agnewranch.com.

Now to the dish already!  For twelve people Craig calls for four one-and-a-half pound shell steaks.  (“Shell steak” is New-Yorkese for New York strip.)  That will give you really nice thick steaks and reasonable eight-ounce servings.  Obviously you can cut the recipe down to any number, but do please try to use a steak at least an inch thick.  You could do it for one person with a filet.

Craig then rinses three tablespoons of canned green peppercorns, crushes one tablespoon of them, and presses those into the sides of the steaks.  These green things were very popular back in the seventies, later to be succeeded by the decidedly bizarre Sichuan pepper, which isn’t really pepper at all.  Green peppercorns are interesting, and milder, but the classic pepper for this dish is good old black.  (If you decide to go with black, do try to find nice aromatic peppercorns in one of those spice departments with a lot of turnover, and don’t grind them in a mill—you should crush them, because you want bigger pieces than a peppermill will give you.  A mortar and pestle are just right for the job, but you can also fold the peppercorns in a kitchen towel and smash ’em with a hammer, which can be quite satisfying.  Careful if you have a marble countertop, however.  Forget Sichuan, by the way.)

Craig cooks the steaks in a big heavy skillet in oil and butter, but a friend of mine taught me a couple of years ago a truly great method using no fat at all—just a cast iron skillet heated to really really really hot, and then just a couple of minutes on each side.  The resultant caramelization of the meat is gorgeous, and there’s a lot less splattering of grease.  You need serious ventilation for this trick.  A thick steak benefits from a careful browning of the fatty edges as well.  Usually you have to hold them upright with tongs.

Then you let the steaks finish in a low oven, on a rack in a pan you’ve already heated there.  If you’ve got all the time in the world, 275º is not too low, but you can suit yourself according to how much of a hurry you’re in.  The low heat gives you a uniform doneness rather than the well-to-rare gradation you get on a hot grill or in a typical sauté.  At 125º they’re perfect, and 130º is still fine, and thanks to the low oven they’re not going to keep cooking very much off the heat as they do when they come straight from a very hot pan or grill.  In any case you’re still going to want to rest them somewhere merely warm—100º or so—for twenty minutes.

After your cast iron pan has cooled to merely hot, there may or may not be enough fat to pour out.  If you need to do it, try to keep the stray peppercorns in the pan.  Add some butter now, and a couple of teaspoons of shallots per person, and cook until they’re translucent.  Now deglaze the pan with a generous pour of red wine, scraping hard to get up all that nice fond, and let it reduce to very little.  Craig’s recipe doesn’t call for it, but some chefs throw in a bit of brandy here and let it burn or boil off—it’s a nice touch.  Now add about a tablespoon of cream per person, plus any juices that have accumulated around the meat, and cook till till the sauce just thickens.  Add the remaining green peppercorns (rinsed, uncrushed).  (If you’re using black pepper, don’t add more to the sauce—the meat will be fiery enough.)  Finish the sauce by swirling in a little butter, just enough to give it a pretty gloss.

Salt the steak to taste, slice it diagonally across the grain about a third of an inch thick, and pass the sauce, warning your guests that a little may go a long way—it’s strong.

Thursday, April 19, 2012

SCALLOPS BROILED IN VERMOUTH


In the epochal New York Times Cook Book of 1961, Craig titled this recipe just “broiled scallops,” so it was easy to let slip by.  He did add, as a subhead, “Scallops in vermouth is an unusual and good idea.”

And very easy indeed.  Also a dish that we can make even better than Craig and Pierre could, as will be explained below.

Craig’s recipe calls for the following ingredients for four people:

1½ pounds scallops
½ cup dry vermouth
½ cup olive oil
½ teaspoon finely chopped garlic
½ teaspoon salt
2 teaspoons minced parsley

You just put it all together, let it marinate in the fridge for “several hours,” and then put the whole business up close under a hot broiler.  One tip: Make sure the garlic is chopped really, really fine, because even small chunks spoil the texture of the dish.  And please don’t overcook the scallops.  They’re not going to brown.

The most important thing we have that Craig may or may not have had but very few of his readers could have had is really good scallops.  There’s an episode in my book The Man Who Changed the Way We Eat in which Craig goes to the Fulton Fish Market at four o’clock in the morning with the owners of the superb Parisian seafood restaurant Le Duc, Jean and Paul Minchelli, and they watch a boat unloading fifteen thousand pounds of “fresh” scallops after eleven days at sea.  The Minchelli brothers were almost sick.  But that’s how Americans got their scallops in 1974.

Now, however, we can get Atlantic sea scallops harvested by divers—plump, glistening (the scallops, not the divers), and kept in pristine condition both in shipping and in the market.  If we’re really lucky, we can get tiny bay scallops, of which the very best come from Nantucket Sound in a regrettably very brief season.

(You should avoid cheap dredge-harvested scallops, which have been kept “fresh” with preservatives.  The dredging damages the ocean floor, anyhow.  Also to be shunned are the bogus bay scallops that come from Southern, warm waters, and the farmed ones from China, which are no good at all.  Trust in one’s fishmonger is crucial.)

Our day has two other advantages over Craig’s.  One is that we can get much better olive oil than he could, and this is a place to use it.  Usually good olive oil doesn’t belong in cooking, but these scallops spend so little time under the broiler that the oil is not harmed.  Our other advantage is our vermouth.  Back in Craig’s day, most people kept vermouth for months unrefrigerated, and they didn’t even know how disgusting it was because they’d never tasted it the way it’s supposed to taste.  They also couldn’t get excellent vermouth.  Try Dolin Dry (not the blanc, which is too sweet).  It’s a fine apéritif as well, and makes a hell of a martini (no dryer than four to one, please, and do I have to say I’m talking about gin, not vodka?).

A tablespoon per person of the marinade seems like enough to serve, though some people may want more—it sops up tasty. 

Monday, April 16, 2012

WINE PORN


One of the necessary intensifiers of all pornography is the presence in it of something extremely desirable that you can’t have.

So let me tell you about my having shared one of the rarest and finest bottles of wine in the world with its maker.

David Graves and Dick Ward were pals in the great winemaking school of the University of California at Davis back in the mid-1970s.  When they were in their first apprenticeships—Graves at Chappellet and Ward at Stag's Leap Wine Cellars—they dreamed that somehow they might get hold of some really great grapes, and that if they could they would try their hand at a small batch of very serious cabernet sauvignon.  They were lucky in having another friend from Davis named John Kongsgaard who knew a vineyard owner named Nathan Fay.  (Kongsgaard is himself a famous winemaker today, and Stag’s Leap’s Fay Vineyard wine is among the greatest Napa cabernets.)  Kongsgaard managed to procure a couple of tons of hand-picked Fay fruit, from the very good 1978 vintage, and divided it among himself, Dick and Dave, and a few other Davis buddies.

Dick and Dave fermented their half-ton in Dick’s garage in Davis.  The wine was enough to fill one barrel with unblended Fay cabernet.  They named it The Lark, after a San Francisco literary journal of the 1890s.

In his 1949 book about the early days of California wine, Vines in the Sun, Idwal Jones wrote that the writers and artists behind The Lark liked to gather at a restaurant called Coppa’s, and there they enjoyed “unending flows of dark Napa claret.”  Graves and Ward chose these words for the label of The Lark.  It was hardly an unending flow; 1978 was The Lark’s only vintage.

(David Graves and Dick Ward went on to found Saintsbury in 1981, in the Carneros district of Napa County, where they continue to produce pinot noir, chardonnay, and, recently, syrah, all of glorious quality.)

“The Lark suffered from only one serious shortcoming,” Graves recalls.  “Even right after bottling, it was too easy to drink.”  The twenty-five cases the barrel had yielded dwindled all too quickly to the three bottles that remained when Graves and I watched a waiter delicately extract the pieces of the crumbled cork at the House of Prime Rib in San Francisco a few evenings ago.

Immense rib roasts in polished brass wagons, hot pans of Yorkshire pudding hurrying from the kitchen, the lingering juniper-tang of our ritual preprandial martinis—these aromas made a classic background against which to inhale the plume of bouquet that billowed from our glasses.  The wine was still young, and intensely pure.  I have tasted Château Margaux only a handful of times in my life, but somehow it immediately came to mind.  There now remain on this earth two bottles of The Lark, and I’m wondering what I may have to do to get in on one of them.

Is there something obscene in the passion such a wine arouses?  I leave that question to the aficionado of oeno-porn.